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 An Architect  In his right element
As Published on Sunday, March 25, 2001
By Gina Areopagita

Huge glass boxes that shoot right up to the sky.  Totems of steel.  Ah, the thoroughly apt description for those enduring symbols of modernity: The high-rise building.  In other countries, they settle for nothing less than a skyscraper, a behemoth of a building serving as a powerful symbol of  progress and ambition.  There is no way the field of architecture can compromise the science and art of drawing these structures to any flimsy, old-world technique. 

Unless, of course, you were talking to a Filipino architect who has done buildings, hotels, and factories in China, Hong Kong, Japan and the Philippines who likes his works to fuse the old and the new.

Architect Enrique Gozar dares to unite modern design and the ancient science of Feng Shui, among other disciplines.  His works are modern, no doubt, but drawn up taking careful consideration of Feng Shui tenets. 
    "Having traveled extensively in Asia, and having lived in Hong Kong for several years, I have managed to employ Feng Shui in my works.  I have seen how Feng  Shui works and it is a good way to ward off bad luck and a pleasant way of attracting good luck,' he chuckles. Architect Gozar designed the PS Bank Tower in 1996 with all the bad signs working against him,  he says.  He found the location particularly bad for business.  He claims his employing Feng Shui in designing the building deterred bad luck.  The PS Bank Tower is now one of the most successful edifices in the area with spaces sold at almost P90,000 /sq.m. 
GT Tower

 "Since the location is bad I designed the building to be like a star.  A star has eight corners and eight is a lucky number.  It means money and prosperity.  And corners are always more expensive because most executives prefer corner spots as offices.  Having eight means more money than four," he explains.
   He adds that when designing a building he employs other techniques like the psychology of colors.
   “It is important to know the effect of the edifice’s color because it is a magnetic wave and it can attack different parts of the body.  With the PSBank tower, I chose green as the color of the glass because it is soothing to the eyes”.
    Gozar admits that he employs so many disciplines when working on a new building.  He studies carefully on each and every discipline before incorporating them into his designs.

'When building, I personally look at the geo-technical and earthquake designs. And then I employ specialists for the glass works, curtain wall designers and metal works to achieve maximum efficiency.  Unknown to a lot of people, some metals have a plaster effect that could lead to bad luck, so I cheek metals used in my works to be sure,' he says.
    Even without the mystical Fung Shui factor, Gozar would still have been an impressive professional.  He founded Gozar Planners (HK) Ltd. in Hong Kong in October 1987.  Soon after he was working on a multitude of projects like master- planning for Panyu Master Plan Development in China, doing interior renovation and fit-out works for the Furama-Kempinski hotel in Central China.

The firm also did various interior projects like the offices of Thamesway Pacific of London, the Dial Corp. of USA, the La Boheme and Kublai’s restaurants in Hong Kong, the architectural and interior design of the Shanghai Swan hotel and Renaissance Hotel in Guilin China'.

Kublai's Restaurant
 'We pride ourselves in the fact that we built the second largest Pepsi Bottling Plant in the world, located in China.
   Gozar recalls how a particularly funny incident happened on his way to setting up an office in Manila.  "A very popular Fil-Chinese tycoon was on the lookout for the best architect in Hong Kong because he was about to have three condominiums built in Manila. When he finally sat down with him, he found out I was a Filipino.”
    That might have been other tycoon’s cue to hire his services. As soon as he returned to the country, he was offered several big projects including the Duty Free Fiesta Mall in Paranaque which he finished in 1997.
 
“It was built under time constraints. We were tasked to design the whole mall in a period of 11 months. The mall is now one of the most technologically advanced in the world using state-o-f the- art technologies from security to payment devices,” he says beaming.
Currently he is building a hypermart in Cagayan de Oro which, in essence, is supposed to be bigger than a supermall; five towers in Valencia Quezon City; three towers in Roxas Boulevard; a Lim Ket Kai food factory complex in Shanghai China; and the Duty Free Philippines Site Development. He is also the project director of the 45-story GT Tower in Makati.
   “An architect is a combination of many professions. You have to be a politician to sell, an artist to create, a sculptor to chisel, a doctor to know how people will react to your work and a layman or a priest in order to allow religion to be integrated in your work. It is a must for every designer to architect a balancing effect”.

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